Siobhan Davies has moved from pure dance to a more eclectic range of visual art projects, including film, which she still resolutely describes as choreography. The French choreographer Jerome Bel studied Barthes and Foucault as a prelude to creating works that were witty, surreal subversions of performance and participation. Photograph: Timur Emek/Getty ImagesĪs far back as 1997, William Forsythe's White Bouncy Castle created a choreographic space in which "there were no spectators, only performers" – ie the sprawling, bouncing, jumping members of the public. 'No spectators, only performers' … William Forsythe's White Bouncy Castle. But he came to prominence with These Associations, a work about group dynamics for the Tate's Turbine Hall, in which performers in variously choreographed formations interacted with the public, telling them stories, asking questions, making provocations, and subtly re-choreographing the crowd. Tino Sehgal presented one of his first public works as part of the Resolution season of new dance at The Place. And if the elements of the choreographer's craft involve space, rhythm, time and physical communication, these tools might be put to an open-ended range of creative uses.Ĭertainly a growing number of artists who would formerly be categorised as choreographers are working in areas suggested by Hildebrand. Hildebrand argued that if the term "choreography" is defined as a form of structured activity then it might be applied to anything from the flocking of birds to the orchestration of political protest, to forms of social communication. For instance, at a recent symposium organised by Bellyflop magazine, Antje Hildebrand contributed a " Provocation" titled The End of Choreography, whose theme included a meditation on what choreography might look like if it was detached altogether from the idea of dance and even from performance. Photograph: Lawrence BurnsĮventually Rainer's manifesto became absorbed into the mainstream of dance performance, but the combative undercurrent of her argument didn't go away. #JUMPING LINE DANCE PARTICIPATION DANCE PROFESSIONAL#This could include seeking professional or specialist advice before taking, or refraining from, any action on the basis of the information within our website.Blurred boundaries … Yvonne Rainer's Choreographing You. Those accessing it are advised to take reasonable steps to consider its content before acting upon it. The contributors themselves maintain their own information and they welcome feedback about the accuracy of the information they provide. We cannot be held responsible for the accuracy of this information. #JUMPING LINE DANCE PARTICIPATION DANCE FULL#We reserve the right to reject or remove links to any website if we find the site content inappropriate.įor more information please refer to the full terms and conditions.įind more well-being information at We will take reasonable steps to ensure the information within the website is as accurate as possible. We have no control over the contents of those sites or resources. Such links are provided for your information only and should not be interpreted as endorsement by us of those linked websites. We assume no responsibility for the content of websites linked on our site. Whilst we try to use the technology within the site to limit the impact of their choice, both terminology and the structure of the languages mean that differences in the results produced is sometimes inevitable. Providers can (subject to rules around language standards that apply to some provision) choose to enter their information in English only, in Welsh only, or bilingually. Please note that the results found when searching in English or Welsh on the English and Welsh sides of the website ( or will sometimes differ. This could include seeking professional or specialist advice before taking, or refraining from, any action on the basis of the information within our website. We will take reasonable steps to ensure the information within the website is as accurate as possible.
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